Woman with suitcase in a Venice canal - Aventura Premium

The Art of Not Knowing Where to Sleep

Woman on Venetian bridge with suitcase

There are trips that you plan to the millimeter, with confirmed reservations, printed maps and a list of restaurants in each city.

And then there are the others.

On one of my vacations in Rome, staying with friends, I felt that impulse that is not discussed: I wanted to return to Venice. But not to stroll along the canals or stand in line at St. Mark's. I wanted to see the Art Biennale, get lost in strange pavilions, let myself be shaken by weird and provocative installations.

The detail: I had no hotel.

But I thought... I've been there before, I know a charming little hotel near Santa Lucia station. I'm sure I'll find a place.

(First mistake of the unsuspecting traveler: underestimating Venice in high season).

When I arrived, the hotel smiled at me: yes, there is a free room... but only for two nights. I accepted. I'll see about that later. Living from day to day seemed like an art form.

After 48 hours, the real challenge began: finding accommodation without a reservation in the middle of the Venetian summer. I ended up in a pension that could have been decorated by some conceptual artist obsessed with abandonment.

The room had no bathroom. The walls were so thin that you could hear everything: laughter, doors slamming, footsteps, voices of people at a party.

That night I found it hard to rest. The place did not give me confidence, and I felt that the door was more symbolic than safe.

But I trusted.

And the next morning I went out early, with the sun in my favor and a light backpack of fear, to look for something better. And I found it: a simple, quiet room, with a bathroom and no ghosts or echoes of others.

I returned to my axis.

I spent my days touring the Biennial as if everything had been perfectly orchestrated. I enjoyed works that spoke to me without words, I got lost among pavilions that seemed like worlds, and I felt that unique mix of adventure, courage and freedom that improvised trips have.

I returned to Rome without a plan, but with history.

Because sometimes, the best part of the trip is not that everything goes well...
It's not that you care so much if something goes wrong

The journey continues...

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